New to New York

This week marks a special time in my life, in that I will be traveling to New York City for the first time. It has been called the city that never sleeps, at least so I've been told by every main stream media outlet that references the place. But for me it's going to be a non stop, go go go kind of adventure looking at art, going to a super art conference, and eating everything I can get my hands on. Jessamy (my grad school battle buddy) and I are going up there this Friday, Saturday, and Sunday for the annual CAA conference, which is summed up as:

The College Art Association Annual Conference is the largest international gathering of professionals in the visual arts. The program is filled with opportunities to join more than 250 stimulating sessions and meetings on a wide range of topics on art scholarship and practice; to engage in in-depth discussions on new scholarship, innovative art, and issues in the arts today; and to connect with colleagues from across the country and around the world.
— CAA

We will be staying at an old international student youth hostel in the Upper West Side of Manhattan, two blocks out from Central Park and only a short subway ride to the conference center and all things New York. What I am most looking forward to aside from going to NYC, is the conference itself. CAA is the largest art conference currently, and I feel like I have been climbing the ladder up to this point. Although I am not presenting at this conference, I hope to do so in the future. This year I applied for a number of things at CAA, but it was all revolving around simply attending the event. I applied for the graduate travel grant which allows students from far away access to the conference with a travel stipend, and lodging, as well as complimentary conference admission. Unfortunately however I was not awarded that grant, but I was offered a position to work the conference by Katie Aspey, the Director of Programs at CAA. She was very helpful in attempting to get me involved in working the event, but after some talk with my professors they advised that this first go around I should just attend the conference and explore the city. Ms. Aspey gave me a rain check for next year's conference so theres hope for the future in getting more involved like I have at SLSA and SECAC. As for the conference, Jessamy and I will be using the new and improved CAA-Pay as you Wish day passes for the conference. Which gets us in for the day and lets us not be so locking into the full registration of the conference cost, even at the discounted student rate.


Lately I have been reading up on things to do in the city and places to see as well as artists who might have shows going on that I have to put on my to do list. What has been extremely helpful has been the New Yorkers "Goings On About Town" column online. You can actually click through what sort of things you want to see and the art column is fantastically jam packed with the current things to do and see in the city. Galleries such as the Gagosian Gallery on 24th Street, The Pace Gallery downtown, Matthew Marks Gallery, and the Sean Kelly Gallery are a few on my list of maybe swinging into and seeing what exhibitions in a top tier gallery are like in person. In particular the Gagosian is having a showing of a new Mark Tansey work called "Reverb" which he completed just early this year. I really enjoyed learning about Tansey in class with Julie McGuire, and the theoretical reasoning behind his work has always interested me. His work deals with:

Each of Tansey’s paintings is a visual and metaphorical adventure in the nature and implications of perception, meaning, and interpretation in art. Working with the conventions and structures of figurative painting, he creates visual corollaries for sometimes arcane literary, philosophical, historical, and mathematical concepts. His exhaustive knowledge of art history accumulates in paintings through a time-intensive process. Images are mined from a vast trove of primary and secondary sources assembled over decades—magazine, journal and newspaper clippings, as well as his own photographs—which he submits to an intensive process of manipulation. The strictly duotone paintings have a precise photographic quality reminiscent of scientific illustration, achieved by applying gesso then washing, brushing and scraping paint into it.
— Gagosian

Next up lets talk about museums. New York is the stomping ground for good art and some of the best museums around are located in the big city. On our list of places to see are The Met, the MoMA, the Whitney, and the Guggenheim. If there were any bigger names in the art world this blog couldn't handle them all at once. Old school Velasquez paintings art housed in the Met, but then right down the hall new works by up and coming artists flood the walls. Down the road in The Metropolitan Museum of Art there is an exhibition on Maiolica, Italian Renaissance Ceramics by Timothy Wilson, which I know some of the ceramic students would love to hear about since they just completed their very own maiolica project last semester.


As for a quick update on whats happening in my studio...here's the deal...I have no idea, well, yes I do. I put up on my wall about 725printer points worth of color images of all sorts of things. Let me just leave you with some images of what has been happening, and I'll explain more later. For the rest of the day I am going to Savannah to grade assignments, read heavy theory articles for homework, and probably have some kind of fancy dinner.

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